?Simon lee, The Old Hunts spell, With an incident in which he was concerned? is a meter by William sound outsworth. indite in 1798 (Anthology p420), ?Simon lee side? was whiz of the poesys included by Wordsworth in his Lyrical B entirelyads. The occasion or meaning of this metrical composition is debatable, nevertheless in his witness inaugurate to the Lyrical B every(prenominal)(a)ads, Wordsworth says that he wishes to ?follow the fluxes and refluxes of the mind when stir up by the great and wide affections of our nature? in the issue of Simon downwind, ?by placing my commentator in the way of receiving from ordinary unstained sensations an some different(prenominal) and more(prenominal) effective icon than we argon accustomed to watch from them? (Anthology, p85, l122 & 133). Wordsworth ingestions a variety of poetic techniques to ensure that his subscriber receives these ? chaste sensations? and to aid them in dread his purpose when writing Simon Lee. The numbers is ab pop an old hunter, Simon Lee, he is aged, disabled and struggles by stirred assignspan with his wife Ruth. Once, Simon ?all the terra firma could outrun? (?Simon Lee? l41), and he was known ? quaternity counties smoo so? (19). Now, they be the ? pifflingest of the brusque? (60), their ? expanse hut of dust? (57) has a small piece of set ashore which they moldiness toil on every day to travail and survive, sluice though t present is ?very little, all Which they croupe do betwixt them? (55). The loudspeaker system in the metrical composition sensation day happens across Simon struggle to impose through a hu worldeuver root, he helps Simon and is then saddened by the deep gratitude that he is shown in return. Wordsworth wanted to present rustic or estate deportment in his rimes; he guessd that there was h unrivalledsty in the patrol wagon of the poor that the more educated classes could hold from. To this check he employs ? phrase literally being utilise by buy the turn force? (Anthology p84 l66). Rustic price are littered throughout the poem ?shire? (1), ? tillage?, ?tillage? (38), ?mattock? (85), this conduces the speaker a corporeal sense of authenticity, the reader can truly believe that somewhere there lives a man handle Simon Lee, and the mortal carnal knowledge us of him has lived in the same environment. The poem ?Simon Lee? is lay eat up up of thirteen stanzas, it is pen in a charismatic variation compliance of the conventional lay. Conventionally a lay is force of quatrains, the blink of an center of attention and quaternary gunstocks rhyme, the wrinkles are iambic, an un dialected syllable followed by a stressed one, with four stresses on the head start and deuce-ace lines and tether on the indorsement and quarter lines. The stanzas in Simon Lee are eight lines long, or octets, however there is a characteristic inside to to distri preciselyively one one stanza splitting them into twain quatrains. The starting signal castigate of four lines in severally is raise verbally in rime distichts, the frontmost three lines in iambic tetrameter, and the fourth cut pitiable in iambic trimeter. The infixed dampen created by the wanting foot at the abate of the fourth line, separates this offset printing quatrain from the blink of an eye set of four lines wi beautiful the stanza. These are written in the more conventional ballad rime change CDEDABCB. again they are written apply iambic verse though with some exceptions, the runner and trinity lines have 8 syllables provided the rime lines have heptad each, iambic trimeter with an extra syllable at the end of the line. This complicated and heterogeneous frame overwork, which is carried throughout the poem, has many a nonher(prenominal) an(prenominal) effectuate on the way a reader moves through the verse. The first four lines of each stanza pass easily, the natural stave of the iambs and the comparatively short length of the lines, lend them a s outcome- meter quality. This is secernnered with the rhyming system to create a sense of simplicity, like a children?s song or nursery rhyme. After the breakage created by the end of the fourth line, the second section of each stanza seems to have a more solemn and sedate childs play. The ABCB end does not perpetuate the chant song quality of the rhyming couplets, and the missing syllable at the end of the sixth and ordinal lines creates an unreal let on. While the run-in at the end of these lines do not finish with much(prenominal)(prenominal) an impact, because there is no distinct stress on the last syllable, the pause creates an tension on the line in the first place it causing the reader to distribute these lines with greater panorama. In habitual the final four lines of each stanza have a practically more pathetic air than the four antecede them. This wave-particle duality of simplistic natural measure and a serious ballad creates an interesting dichotomy which is reflect in many other aspects of the poem. The first eight stanzas of the poem seem knowing to ask a wrenching, emotional answer in the reader. Simon is ? range? (33), he has ?but one eye left? (15), his master, and all other members of the hunt are dead, ?he is the sole subsister? (24). distinctly he is old and sapless and to a fault he is poor. In two stanzas the final record of the fourth line is poor, this hold back is reinforced by the internal repeat ?poorest of the poor? (60). but the tone of the poem is not as mournful as you would assume. Language like ?thin and dry? (36), ?weakest? (40), ? a couple of(prenominal) months of flavor? (65) is balanced out by terms such as ?merry? (14), ? benignant Ivor-hall? (2) and ?dearly loves? (48). Even the interlingual rendition of where they live, the ?moss-grown hut of clay? (57), ?near the waterfall? (31), is more appealingly phrased than you would normally ascribe to poverty. The setting seems beautiful, and the sad events occurring in it are tinged with the joy of the manners continuing around them. The happier life that Simon led before as a ?running huntsman merry? (14) in addition contrasts acutely with his life now, struggling to work his land. Often Wordsworth uses the duality of his stanza do to highlight this. In the ternion stanza, the first four lines aver us of Simon?s nontextual matter in yesteryear, ?No man like him the horn could leaden? (17), the metre and rhyme make these lines seem lilting and exulting like their content. The fourth line, which finishes with the nurture ?Simon Lee? (20) returns us to the current time, the use of his name, instead of the unknown ?man? (18, 19) in the earlier lines, reminds us of the person we are discussing and that now he is but a shadow of this cause self. The second half of the stanza, in the more sedate form, tells us that Simon?s colleagues and master are all dead and whole he is still alive. The repeating of ?dead? (21 23), reinforced the second time by ?all? (23), accentuates the air of melancholy.
The first stanza of the poem is set out in a similar fashion, the first four lines seem adroit and innocent with language like a fairy account or children?s story, ?little man? (3), ?once? (4), ? surfeit shire? (1). Whereas the second part slows take in, and tells of the heavy burden of historical period on the man?s back. However sometimes the form of the poem does not seem to fit with the delivery or language utilize which creates a jarring and awkward affect. In the fifth stanza, Wordsworth uses the first four lines to describe the fleshly state of his subject, ?and he is feed and he is sick? (33). The perennial use of ?he? and ?his?, and overly the many monosyllabic haggling make these lines run faster, and also help to accentuate the sing song rhythm. The language here deeply contrasts with the feel of the quatrain, composition the words trip mildly off the reader?s tongue, the fleck they are describing is mortifying and would surely cause pause and poignancy in the reader. half way through the eighth 10th stanza is the turning floor of the poem, ?My gentle reader? (69). here the speaker talks forthwith to the reader, he is laying down an design to the interaction between himself and Simon. The speaker, and also poet, is aware that these events whitethorn not be considered singular enough for concern by the mean reader, but he asks that in ?silent thought? (73) the emotions and feelings that this scene has invoked are considered. In doing this the speaker hopes the reader cut out divulge ?A level in everything? (76). Theses twelve lines create a break in the poem between the initial descriptions of Simon Lee and the events that follow, this helps to emphasise the sizeableness of the everyday nature of these events and also gives the poet an fortune to prepare the reader mentally for the ?moral sensations? (133) that entrust tote up with them. The regret and uneasiness of age seems to be the underlying lark of this poem. The partnering of stir and mournful language, and the two severalise forms, create a real sense of duality, the past with the present, the unseasoned with the old, the reader, speaker and Simon Lee. Wordsworth creates a efficacious feeling of sympathy for and guilty conscience towards his subject, Simon seems forgotten and unwanted by society, especially at the close-fitting of the poem. The old man?s gratitude for so simple and effortless an act is think to be as heart breakage for the reader as it is for the speaker. This pity, for one so forgotten, is perhaps the ?salutary impression? (133) Wordsworth wished us to receive. Word Count 1560BibliographyW. R. Owens and Hamish Johnson (1998) quixotic literary productions: An Anthology, The Open UniversityStephen Bygrave (1996) Romantic Writings, RoutledgeSue Asbee (2001) approach Poetry, The Open UniversityPerhaps A Tale Youll firebrand It: The proceeding from Sentiment to Social consciousness and Involvement in Wordsworths Simon Lee (accessed on 5th whitethorn 2009) http://www.umd.umich.edu/casl/ chant/eng/jonsmith/sample1.html If you want to get a full essay, tell it on our website:
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