But (Hester) is non the protagonist; the chief actor, and the tragedy of The chromatic earn is not her tragedy, but Dimmesdales. He it was whom the sorrows of death encompassed..... His overt acknowledgment is one of the noblest climaxes of tragic literature. This statement by Randall Stewart does not transport the same ideas that I believed were contained within The Scarlet Letter, by Nathaniel Hawthorne. I, on the contrary to Stewarts statement, think Dimmesdale is a coward and a hypocrite. Worse, he is a self- acknowledgeed coward and hypocrite. He knows what he has to do to keep silent the voice of his conscience and make his peace with God. Throughout the absolute chronicle his confession remains an obstacle . While Hester is a relatively constant character, Dimmesdale is incredibly dynamic. From his fall with Hester, he moves, in steps, toward his public hint of sinning at the end of the novel. He tries to unburden himself of his sin by revealing it to his congregat ion, but in any(prenominal) way can never quite set this. He is a typical diagnosis of a welcome mat. To some extent, Dimmesdales story is one of a single manhood tempted into the depths of the hormonal world. This world, however, is a place where the society treats sexuality with seedy grace. But his line of work is enormously complicated by the fact of Hesters marriage (for him no technicality), and by his own name of himself as a churchman devoted to higher things. strange other young men, Dimmesdale cannot support his loss of innocence and go on from there. He must struggle futilely to draw a bead on back to where he was. lacerate between the desire to confess and atone the cowardice which holds him back, Dimmesdale goes meagrely mad. He takes up some morbid forms of penance-fasts and scourgings-but he can... If you take to get a honest essay, order it on our website: OrderCustomPaper .com
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