The measure of a great text is its ability to discourse to responders of opposite propagation and places. Is this true with Shakespeare’s Othello? Discuss this with design to at least two texts. William Shakespeare’s Othello has the ability to expiration the beans to responders of diametrical times and places as they all share different perspectives, including feminism, gay, lesbian and queer, which makes it much(prenominal) a ‘great text.’ Shakespeare reflects Elizabethan contexts and value whilst depicting a tragedy instigated by jealousy and mistrust. Geoffery sax’s representation Othello, a film directed in 2001 focuses on the role of women after the feminist movement, being peg down d own in modern London fuelled by racial hate. The definition of Othello through film by Oliver Parker in 1995, conjugates the theme of homosexuality, wistful of his own context in the new 20th century, in spite of being set in the Elizabethan era. Th us in examining these different interpretations, the varying portrayals that reverberate the composer’s context reinforce why Shakespeare’s Othello is such a ‘great text.’ Shakespeare’s Othello depicts the Elizabethan culture, illustrating how women were oppressed during those times and marginalised in society.

Men viewed females as property, illustrated in the opening icon where Brabantio describes that he has been ‘robb(ed)’ when he realises that his fille Desdemona has run off with Othello, outcry that she has been ‘stol’n from me.’ The roles of a charwoman during the 1600s was to follow he! r husband or father’s dominate orders (‘I am acquiescent’) and were often caught between their own desires and the dominating male’s demands. Wives were seen by their husbands as ‘nothing, notwithstanding (only) to please his fantas(ies),’ treated as ‘maids’ and to be present dependable to ‘pleasure’ them, constantly heavy him to ‘come away to...If you requirement to get a ripe essay, order it on our website:
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