Moral Ambiguity of Charlie in The Little Drummer Girl Essays -- Little

Moral equivocalness of Charlie in The Little Drummer GirlIn George J. Lennards, John le Carre faultfinding assessment of the ending of Little Drummer Girl, he claims that Charlie tush not insure to act in the theater of the accredited...she can no longer run off to the romantic fluff of Western middle class society. Charlies come through line in the novel, the theater of the real, are I am wild (pp.659), which confirms Lennards statement. Charlie, an actress, by nature and craft is a coerced into a design to infiltrate a terrorist ring, against her convictions. By playing upon Charlies insecurities and her need for acceptance, this object forms a kind of moral ambiguity and uncertainness inside Charlie. When it ends, her domain is shattered, and she becomes dead in a figurative sense.The theater of the real forces Charlie to infract a performance of a lifetimetime as her own life is at stake. In the beginning Charlie, willing and naive, accepts the script given to her by Joseph. Joseph himself, trains Charlie how to act in this scheme, much like an acting coach trains an uninitiate theatrical student. Along the way, Joseph gives her important pieces of advice such as stay with the logic of the fiction...weaken and you will ruin the operation...well repair any damage (pp. 468), advice which Charlie does not closely follow. In a founding that will be turn upside tidy sum for Charlie, Joseph is her one remaining constant. The people Charlie comes in contact with can be best described as characters or actors in fiction as well. The characters names change almost as frequently as Charlies views of her situation. The changing names give way to the belief that the characters, under disguise, can not really be held responsible for their actions as they are in costume. As the novel progresses, Charlie also changes costumes much like a chameleon changes with its environment. When Charlies character is the Israelites, she is sympathetic to them likewise, when she is with the Palestinians, she takes on their beliefs, which in it self creates a chaos and provides substance to the theme of moral ambiguity in le Carres novel. Charlie begins her journey into moral ambiguity with the death of Michel, a Palestinian terrorist. Following her script carefully, Charlie infiltrates the terrorist ring, convincing them that she was Michels lover. Charli... ... into the real is futile (pp. 600). And so, Charlie enters back into the cosmos of the real changed and alone, even dead because she is unable to ever be the same. Charlies character deals with concerns of terrorism, the persuasive power of love and the moral ambiguity on both sides of the fence. Perhaps her most important discovery is when she realizes the cost of wildness to those who preform it. Although Charlie is clearly the protagonist of the novel, she makes an important discover which seems to eliminate the fighting of moral ambiguity there is close and evil in everyone. This les son affects Charlie in ways the writers of her script never could have known. Like the writers of a good novel, she has already begun to miss the character she has fallen in love with herself. Charlie now, uncomplete belongs in the theater of the real no in the real world she will no longer fit in either as she once did, Making her dead to herself and everyone who once knew her Le Carre leaves us with an physique of Charlie preforming works of art in a theater for a real audience. Significantly because Charlies ambiguity of herself can best be seen by playing the characters of others.