Comparing Virginia Woolfs Mrs. Dalloway and Emily Brontes Wuthering H

Comparing Virginia Woolfs Mrs. Dalloway and Emily Brontes Wuthering high gearVirginia Woolfs Mrs. Dalloway and Emily Brontes Wuthering Heights shargon similarities in many aspects, peradventure most plainly seen in the plots just as Clarissa marries Richard rather than enlighten beam Walsh in order to secure a comfortable life for herself, Catherine chooses Edgar Linton all over Heathcliff in an attempt to wrest both herself and Heathcliff from the squalid lifestyle of Wuthering Heights. However, these both novels also overlap in thematic elements in that both are concerned with the opposing forces of subtlety or order and chaos or derangement. The recurring image of the house is an important token used to embellish both authors order versus chaos themes. Though Woolf and Bronte use the house as a symbol in very(prenominal) different ways, the existing similarities get striking resonances between the two novels at certain critical scenes. In Mrs. Dalloway, Clarissa Dalloway undergoes an internal struggle between her love for society and life and a combined affinity for and fear of death. Her practical marriage to Richard serves its purpose of providing her with an bear on social life of gatherings and parties that others may find frivolous but Clarissa sees as an offering to the life she loves so well. Throughout the novel she grapples with the prospect of exploitation old and approaching death, which after the joys of her life seems unbelievable that it must rarity and no one in the whole world would know how she had love it all how, every instant At the same time, she is drawn to the very idea of dying, a theme which is most obviously exposed finished her reaction to the news of Septimus Smiths suicide. However, this crucial scene r... ...ng the collocation of order and chaos. The roles that the houses of both stories play in this theme bring to light interesting similarities between the characters and thematic elements as well as te lltale(a) differences. Both Woolf and Bronte use the open window as a symbol for the opportunity to see beyond the physical, the ordered, into something less controllable by civilization. However, Catherine seems to be trapped in an unnatural and dangerous cycle of passion and madness that only dissipates after Heathcliffs death, whereas Clarissa continues with life in society condescension her attraction to death and to Septimus. The resonances between the window scenes of these two novels, though at the same time similar and disparate, shed light on the nature of Clarissas and Catherines characters as well as on the two authors use of the civilization versus wildness theme.